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Archive for February, 2025

Review: Seven Veils

— by WILLIAM STERR — When art copies life copies art. Jeanine (Amanda Seyfried – “I Don’t Understand You”) has an opportunity to re-mount the opera “Salome,” a piece that she worked on with her deceased mentor, Charles, years before. She leaps at the chance. However, she [...]

Review: Old Guy

— by BEV QUESTAD — There’s a new James Bond in town and he’s not with M16. Austrian-German Christoph Waltz still has it in his 60s. He has a Sean Connery-like brogue, hair coif, handsome eye twinkle and a snazzy car. We meet him early in the film rocking out at a DJ club in […[...]

Review: Conclave

— by BEV QUESTAD — The throne of the Holy See is vacant and beside the deathbed is a chess game in progress. “Conclave” has sweeping vistas of art, painstaking replicas of intricately embroidered Cardinal costumes, and one of the best all-time endings in the history of cinema. It is [...]

The 28TH OFCS Awards: Nominees & Winners

— by BEV QUESTAD — The Online Film Critics Society (OFCS), representing nearly 300 continually vetted online film journalists representing Variety, The Hollywood Reporter, Slant, AARP and more, historians, and scholars worldwide, one-third based outside the US, announced the winners of i[...]

Review: Nosferatu

— by WILLIAM STERR — Some lovers aren’t satisfied unless they can completely possess you. So it is with Ellen Hutter and her count. Thomas Hutter (Nicholas Hoult) is an up-and-coming employee at Herr Knock’s (Simon McBurney) real estate brokerage. He is given the charge of delivering[...]

Review: Mufasa: The Lion King

— by BEV QUESTAD — Why haven’t we heard more acclaim for “Mufasa”? Where’s the excitement and marvel at such an extravaganza of visual accomplishment? Why the snub for an Oscar nomination? It’s a Disney animation feat of breaking-news magnitude. Its life-like lions have hair so[...]

Review: Arcadian

— by WILLIAM STERR — “Arcadian” gives a new twist to living “down on the farm.” The word means an ideal rural paradise, but the home set up by Paul (Nicholas Cage – “Longlegs”) and his teenage sons, Joseph (Jaeden Martell – “Mr. Harrigan’s Phone”) and Thomas[...]

Review: Saturday Night

— by WILLIAM STERR — Jason Reitman (“Ghostbusters: Afterlife”) has used his “Wayback Machine” to take us back to a seminal point in television entertainment – the point at which a form of popular entertainment that was rooted in vaudeville, the stage, and accepted mores of beha[...]

Review: The Piano Lesson

— by WILLIAM STERR — August Wilson. It’s a name that is synonymous with the experiences and heritage of the African-American community in the 20th century. His cycle of 10 plays from “Gem of the Ocean” to “Radio Golf” covers the Black experience in Pittsburgh through the 10 dec[...]