— by BEV QUESTAD — I don’t understand the American immigration policy. I am so confused I can’t find my way to a position. Almost every other country has a border policy, so why the cry-out? Why is it even an election year trigger point? And why on earth is the projected budget for t[...]
Author Archive
Review: Cruise Boom
— by BEV QUESTAD — Know anyone who has gone on an Alaskan cruise this past year? The new Klondike Gold Rush (1896-189) is The Alaskan Tourist Rush. With the recent opening of a private dock in Sitka, the inhabitants say, “Welcome!” But quietly they wonder, “At what point do we lose[...]
Review: Lost Nation
— by BEV QUESTAD — Prepare to be enlightened. New York State wanted to be bigger, African-Americans were amongst the earliest settlers in Vermont, and the proponent for recognizing Vermont as America’s 14th colony was given a tempting counter offer from the British. The story begins in[...]
Review: War Game
— by BEV QUESTAD — What if the 2024 election results end with a coup attempt, but better organized than the last? My greatest shock about the Jan. 6, 2020, attack on the US Capitol Building was not that it happened, but that it was met with such a limited response. I was thinking, “Gee[...]
Review: Green Border
— by BEV QUESTAD — Excruciatingly frustrating and heartbreaking, famed Polish director Agnieszka Holland has created a courageously accurate drama based on true events that I am calling The Film of the Decade. In 2021 Alexander Grigoryevich Lukashenko, president of Belarus since 1994, le[...]
Review: Chronicles of a Wandering Saint
— by BEV QUESTAD — Perhaps Rita is the cleaning lady for the church, or perhaps she is a lady who voluntarily brings cleaning supplies to the church to clean. She badly tries to be helpful and wants a miracle. The film appears to end after 30 minutes. Credits roll and we seem to have [&h[...]
Review: About Dry Grasses
— by BEV QUESTAD — Nuri Bilge Ceylan uses light, a distinctive feature of his Rembrandt-like cinematography, to expose the interior mood of his characters. The shadows of darkness in secret meetings and the stark, cold snow landscape in “About Dry Grasses” reflect a brooding, cold, d[...]
Review: The Grab
— by BEV QUESTAD — If I had enough money, could I buy parts of countries? For example, could I buy agricultural property in Canada? Norway? Russia? China? This question took me down a rabbit hole of exceeding complexity, but I can report one thing with clarity. Any nationality may buy an[...]
Review: Rowdy Girl
— by BEV QUESTAD — Rowdy Girl is an amber-brown, willful cow who does what she pleases. She is not confined to a milking stall but roams the land with freedom. She may come when she’s called – or not. She’s free, obstinate, and has a mind of her own. But there is also another [&hel[...]
Review: Food Inc. 2
— by BEV QUESTAD — Change is going to come! Rich with exposure and documentation, “Food Inc. 2” continues its attacks and solutions to our food problems after the 2009 film “Food Inc.” This time, directors Robert Kenner and Melissa Robledo have Cory Booker and Jon Tester aboard t[...]
Review: The Ballad of Davy Crockett
— by BEV QUESTAD — “Be sure you’re right and then go ahead! It’s up to you, to do, as Davy Crockett said.” This was the theme song from Disney’s 1955-56 Davy Crockett TV series at a time when Dwight Eisenhower was president, the Supreme Court ruled segregated buses were illegal[...]
Review: Mourning in Lod
— by BEV QUESTAD — As crimson blood courses through circuitous tubes we wonder, “Whose blood is this and where is it going?” As the film continues, we witness in a flashback the murders of two innocent, kind men who were both in transit home to loved ones. But the blood in the compli[...]
Review: Dancing with the Dead
— by BEV QUESTAD — Red Pine is the nom de plume of Bill Porter who grew up in LA, the son of a wildly disturbed, abusive multimillionaire patron of the Kennedys, who owned at least 52 hotels. Bill was sent to boarding school beginning in the fourth grade, so his parents could have more [[...]
Review: All We Carry
— by BEV QUESTAD — “My father was murdered. I can never get that out of my mind.” It is spring, 2018. Magdiel, Mirna and their son, Joshua, are on the migrant caravan coming up from Honduras and headed for the US when they meet Cady Voge, filmmaker and journalist, who commits to film[...]