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Archive for May, 2017

Review: Stefan Zweig: Farewell to Europe

— by BEV QUESTAD — “Farewell to Europe,” Austria’s official nominee for the Academy Award for Best Foreign Language Film, begins in an opulent diningroom in Brazil where five maids scurry to finish setting a gigantic table laden with exotic flowers. This was 1936, when coffee, rubb[...]

Review: Chuck

— by RON WILKINSON — Nobody who saw director Philippe Falardeau’s award winning “Monsieur Lazhar” in 2011 would have imagined this. “Lazhar” was followed by two more touchy-feely up close and personal films about unique immigrant experiences. “Chuck,” which premiered at NYC[...]

Review: Cardinal X

— by RON WILKINSON — In this coming of age thriller — written and directed by Angie Wang — the character of Angie, played by Annie Q., is based on the real-life experiences of the writer/director when she was an incoming freshman at a prestigious southern California universit[...]

Review: Afterimage

— by BEV QUESTAD — “Where can I find Dr. Strzeminski?” asks an eager new student at an art field trip. Flopping down on his stomach, Strzeminski rolls down the hill above her. His students shout out and roll in gay laughter down the mountainside as well. Władysław Strzeminski was k[...]

Review: Abacus: Small Enough to Jail

— by RON WILKINSON — The family-run bank Abacus became the only bank to face criminal charges in the wake of the 2008 financial crisis. Like the crisis itself, this is a story of government, and banking, mismanagement. There is fault enough to go around. However, there is a depth to this[...]

Review: The Wall

— by RON WILKINSON — More psychological thriller than war movie, “The Wall” is a tense, atmospheric cat-and-mouse story that carries broad undercurrents of the cultural and religious war in the Middle East. American snipers Isaac (Aaron Taylor Johnson of “Nocturnal Animals[...]

Review: Take Me

— by RON WILKINSON — New director Pat Healy comes out swinging, or whining, in this very funny take on the genre of the kidnapping gone terribly wrong. Having had its world premiere April 25 at NYC’s Tribeca Film Festival, Healy co-stars with the redoubtable Taylor Schilling from the s[...]