— by BEV QUESTAD — The most important thing an artist must convey, to be truly worthy, is thought. “Straight from the horse’s mouth. You have to know when you succeed and when you fail and why. Know thyself in fact. In short, you have to think,” says Gulley Jimson. “The Horse’s[...]
Archive for the ‘Reviews’ Category
Review: Sami Blood
— by RON WILKINSON — In a setting as forbidding as it is beautiful, 14-year-old Elle Marja ropes, tackles and then caresses a reindeer on the frozen ground. She is a young adult member of the Sami people and she is expected to pull her own weight. With the frozen arctic skies as her back[...]
Review: Lost in Lebanon
— by BEV QUESTAD — “Lost in Lebanon” is a film dear to my heart because when I went to school there, the same frustrating problem that was happening with the Palestinians in 1969 to 1970 is happening now with the Syrians. I returned to Beirut last year to honor my dearest professor, [...]
Review: Dawson City: Frozen in Time
— by RON WILKINSON — Imagine walking into a theater in 1910 and watching the newest silent melodrama in town. There are struggles for manly supremacy and vindication, hilarious slapstick, near and actual collisions between people, trains, horses, cars, buildings, dogs and trees and, of c[...]
Review: Black Code
— by BEV QUESTAD — “There is an obvious candidate for the Nobel Peace Prize and that’s Edward Snowden,” said Jon Karlung, CEO of Bahnhof, a Swedish Internet service provider in Stockholm that can monitor the monitors. Edward Snowden, a US citizen in exile in Russia, has alerted the[...]
Review: Berlin Syndrome
— by RON WILKINSON — Emerging director Cate Shortland’s kidnap thriller “Berlin Syndrome” is well done but adds little to the genre. Australian photojournalist Clare (Teresa Palmer) meets college writing professor Andi (Max Riemelt) and the two instantly fall in lust. T[...]
Review: The Good Postman
— by BEV QUESTAD — The genius of this documentary, set in a tiny town in Bulgaria, is that it is a microcosm of the world. While the citizens of Great Dervent, Bulgaria, fear change, strangers, unemployment and loneliness, their major contentious issue in a recent election is what to do [...]
Review: The Beguiled
— by RON WILKINSON — Filled with the simmering sensuality of Nicole Kidman’s “Dogville,” this movie starts out slow and builds to a delicious climax. Based on the 1966 novel by Thomas Cullinan, the story starts with a young girl from the nearby Farnsworth Seminary singing in the Vi[...]
Review: The Mummy
— by RON WILKINSON — Tom Cruise is back, heading a star-studded cast and crew in the kick-off flick of the summer B-movie season. He reprises his Maverick role as Nick, an uber-soldier who must do it his way. Along with nominal buddy Jake Johnson (TV’s “New Girl”) as Chris, Nick wa[...]
Review: Wakefield
— by RON WILKINSON — The superficial story is one of a man who is fed up and not taking it any more. Nobody appreciates him, so he is going to deprive them of that most valuable thing in their lives. Himself. So begins writer/director Robin Swicord’s film adaptation of E.L. Doctorow’[...]
Review: Children of the Night
— by RON WILKINSON — Andrea De Sica’s simmering teenage drama debuted at The Film Society of Lincoln Center and Istituto Luce Cinecittà’s 17th edition of “Open Roads: New Italian Cinema” taking place through June 7. Giulio and Edoardo are troubled teenagers trapped in the terror[...]
Review: Nowhere to Hide
— by BEV QUESTAD — America may be lacking moral leadership these days, but its vigilance and ethical spirit are stronger than ever. This year’s powerful 2017 Human Rights Watch Film Festival (HRWFF) in New York City features the most crucial issues of our time, opening with a candid do[...]
Review: Two Soldiers (aka Due Soldati)
— by RON WILKINSON — Director Marco Tullio Giordana’s tale of love and redemption debuted at The Film Society of Lincoln Center and Istituto Luce Cinecittà’s 17th edition of “Open Roads: New Italian Cinema” taking place through June 7. The film starts with a gritty army patrol i[...]
Review: The Confessions (aka Le Confessioni)
— by RON WILKINSON — This low-key pot boiler had its New York premiere June 1 at The Film Society of Lincoln Center and Istituto Luce Cinecittà’s 17th edition of “Open Roads: New Italian Cinema” taking place the first week of June. The movie deals with a final judgment enacted on [...]