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Archive for the ‘Reviews’ Category

Under Review: ‘Smallville: Absolute Justice’

— by JOSUE SANCHEZ — I remember being 6 years old and visiting a friend with my mom. I was sitting in their living room, and a movie they were watching before we arrived was playing on the TV set. What I saw next changed my life forever. On the TV appeared a man, wearing […][...]

Under Review: ‘From Paris with Love’

— by JOEL CRARY — My girlfriend and I had a discussion about white heteronormativity after seeing “From Paris with Love.” She raised a valid point about the tendency of mainstream American films to promote white heteronormative values and turn heteronormative fears into[...]

Under Review: ‘White Lightin”

— by MARIUSZ ZUBROWSKI — Most people don’t know much about mountain dancing or “clogging.” I don’t even know much about this style of dancing apart from what I’ve read on Wikipedia while researching the movie “White Lightin.'” Taking this[...]

Under Review: ‘Red Cliff’

— by JOEL CRARY — John Woo’s “Red Cliff,” the first project of the now permanently Hollywood-ized director to be set in China and written exclusively in Mandarin in 16 years, clearly reveres Sun Tzu’s ancient “Art of War” treatise in the way it portrays war as a universal[...]

Under Review: ‘When in Rome’

— by ALLISON HIGGINBOTHAM — The title of the film “When In Rome” is taken from the saying “when in Rome, do as the Romans do.” With this film, however, it was more like “when making a romantic comedy, do as all other romantic comedies do.” “When In Rome” centers[...]

Under Review: ‘Edge of Darkness’

— by MARIUSZ ZUBROWSKI — Though I can’t fathom the mindset of a parent whose child has been murdered, I can’t imagine anyone going on a bloody rampage in order to deliver their own brand of “justice.” But of course, not everything in film is realistic. We, as[...]

Under Review: ‘Fish Tank’

— by MARIUSZ ZUBROWSKI — The English have a term called “chav.” It’s usually used among teenagers and those of a younger-demographic. It has a multitude of meanings, but the predominate definition is “scum of the Earth” (according to Urban Dictionary anyway)[...]

Under Review: ‘Michael Jackson’s This Is It’

— by SCOTT SWAN — For most of my life, I’ve been a Michael Jackson fan. I first heard about the talented entertainer when I was 10. A friend from church gave me “Off The Wall” for my birthday, the LP that is. I played the crap out of that record, despite the fact that [[...]

Under Review: ‘Legion’

— by MARIUSZ ZUBROWSKI — Until recently, when I thought of the Bible, several images popped into my head. Some of them being angels, Jesus, and an all-mighty entity in the heavens, but after seeing the latest batch of religion-themed films, it isn’t hard for me to also think about [...]

Under Review: ‘The Yes Men Fix the World’

— by JOEL CRARY — What I like about the Yes Men is that they are self-professed failures. One scene of “The Yes Men Fix the World” shows masters of deception Andy Bichlbaum and Mike Bonanno sitting in front of a television set, watching the effects of the free market on the poor of[...]

Under Review: ‘The Trials of Henry Kissinger’

— by BEV QUESTAD — You will never look at politics the same way. You will never look at government-delivered reasons for being in a war the same way. Your world view will be unalterably changed after viewing this documentary. This is the kind of film that transforms thinking. In his book[...]

Under Review: ‘Extraordinary Measures’

— by ALEXA MILAN — “Extraordinary Measures” is a fairly typical tearjerker. It tells a remarkable story, but unfortunately that isn’t enough to make it a remarkable film. Based on a true story, the film follows John and Aileen Crowley (Brendan Fraser and Keri Russell), [...]

Under Review: ‘The Spy Next Door’

— by MARIUSZ ZUBROWSKI — “The Spy Next Door” is downright offensive. Sure, it’s a family movie and it doesn’t contain any nudity or bloody violence, but it’s the fact that it exists that makes it insulting. Director Brian Levant — no stranger to[...]

Under Review: ‘The Book of Eli’

— by MARIUSZ ZUBROWSKI — Post-apocalyptic films commonly use a bleak representation of the world to illustrate a political message. Besides an occasional “Oh, God” blurted out by one of its leads, it’s rare for a director to look at a nuclear wasteland through a[...]