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Review: Here Comes the Boom

— by ADAM DALE — Kevin James has been a staple in family comedy films the past few years, collaborating with Adam Sandler’s productions multiple times, and has really cemented himself in that role. The only problem is that I don’t like that mold. His performances in comedic films pri[...]

Review: Frankenweenie

— by ADAM DALE — Twenty-eight years ago, a young man named Tim Burton got his start when the right people saw a live-action short he made called “Frankenweenie.” The short film took the basic story of 1931 film “Frankenstein” — based on Mary Shelley’s book of the same nam[...]

Review: Looper

— by ADAM DALE — “Looper” is a film full of twists and turns, multiple layers to the story and each character. Writer-director Rian Johnson (“Brick,” “The Brothers Bloom”) has taken a fairly minor budget of $60 million and made an action-packed sci-fi thriller that looks and [...]

Review: Trouble with the Curve

— by ADAM DALE — To most people, the name Clint Eastwood commands either nostalgia, or a feeling of old Hollywood talent. Those over a certain age see him as “Dirty Harry” or The Man with No Name, while those under the age of 30 probably see him as a man who is grumpy in […][...]

Review: For a Good Time, Call…

— by ADAM DALE — Before 2011’s “Bridesmaids” completely obliterated the notion that men are automatically funnier than women and bro-comedies can be more lucrative at the box office, you rarely saw a women-based film that wasn’t a drama or romantic comedy. Since then, a liberatio[...]

Review: Lawless

— by ADAM DALE — As we go into the final weekend of August, the summer movie season is coming to an end. Big-budget blockbusters are in the rearview mirror as more artful, Oscar-geared flicks begin to pour into theaters. But where does director John Hillcoat’s “Lawless” fit into th[...]

Review: Premium Rush

— by ADAM DALE — When it comes to action and excitement, the summer season isn’t lacking in big budget blockbuster films, but it is very rare to see the kind of intensity shown in “Premium Rush” without massive special effects and explosions. Director David Koepp wants to take you [...]

Review: Hit and Run

— by ADAM DALE — If I was an actor in Hollywood and had a talent for writing, I would definitely write movie scripts with myself in mind. And that is exactly what actor and funny man Dax Shepard has done with his latest project “Hit and Run.” Not only did he write the script [&hellip[...]

Review: The Bourne Legacy

— by ADAM DALE — It is hard to predict the weekend box office for “The Bourne Legacy” when hits theaters Aug. 10. While it will be a continuation of the previous trilogy, it is substituting another star in the lead role and missing previous franchise front man Matt Damon. Another maj[...]

Under Review: Total Recall

— by ADAM DALE — When it comes to classic genre films, fans can be less than enthusiastic about the idea of a remake. With ostensibly a more faithful interpretation of Philip K. Dick’s 1966 short story “We Can Remember it for You Wholesale” than the 1990 original starring Arnold Sc[...]

Review: The Dark Knight Rises

— by ADAM DALE — “The Dark Knight Rises” is the third and final film in Christopher Nolan’s trilogy. Starting off in 2005 with “Batman Begins,” continuing with 2008’s “The Dark Knight,” it all ends now with “The Dark Knight Rises,” a fitting conclusion that has been v[...]

Review: Ice Age: Continental Drift

— by ADAM DALE — While many recent animated films have been setting their sights on people of all ages, and adding in the occasional adult –themed joke to appease those with more sophisticated sensibilities, the “Ice Age” franchise has been a consistent force in entertainment for i[...]

Review: The Amazing Spider-Man

— by ADAM DALE — When it was announced that the fourth Spider-Man film was being canceled so the franchise could be rebooted and retooled with an entire new cast, director and storyline, I was less than thrilled. Even though 2007’s “Spider-Man 3” was a lackluster film that seemed t[...]

Review: Ted

— by ADAM DALE — In an outer Boston suburb in the ‘80s, a young boy named John (Mark Wahlberg) spends his Christmas not with the neighborhood kids – who like to beat up the local Jewish kid — but alone wishing that he could have a best friend. When he receives a stuffed teddy[...]