— by WILLIAM STERR — Geoffrey Rush and John Lithgow. Two elder luminaries of the cinema world. Lithgow turned in a fine performance as a conniving American cardinal in 2024’s “Conclave,” nd Best Actor Oscar-winner Rush, long a stage actor in Australia, is best known in film for “[...]
Archive for the ‘Reviews’ Category
Review: Immaculate
— by WILLIAM STERR — When do miracles cross the line into mad science? As a young girl, Cecilia (Sydney Sweeney – “Madame Web”) suffered a near death experience. It changed her life, and she decided to devote that life to God. When still a novitiate, her local US convent closed[...]
Review: Anora
— by WILLIAM STERR — “Anora”: Winner of the 2025 Academy Awards for Best Direction, Best Original Screenplay, Best Editing (all by Sean Baker), Best Actress (Mikey Madison) and Best Picture. This is a complicated film. It begins with a somewhat silly, extremely graphic sexual relatio[...]
Review: I’m Still Here
— by BEV QUESTAD — Jolting. I thought I would just watch the first five or 10 minutes and finish the rest the next day. I quickly forgot about that as I was gripped by the series of true events that could so possibly happen in America. But jolting was also the decision on March […[...]
Review: Flow
— by BEV QUESTAD — A holy sermon. A visual splendor. A film I would long to live inside with its wildflowers, long wispy grasses swaying in the gentle breeze, and the delightful cottage with round window above the second floor beneath which a cozy bed was built-in – except for the fact[...]
Review: Seven Veils
— by WILLIAM STERR — When art copies life copies art. Jeanine (Amanda Seyfried – “I Don’t Understand You”) has an opportunity to re-mount the opera “Salome,” a piece that she worked on with her deceased mentor, Charles, years before. She leaps at the chance. However, she [...]
Review: Old Guy
— by BEV QUESTAD — There’s a new James Bond in town and he’s not with M16. Austrian-German Christoph Waltz still has it in his 60s. He has a Sean Connery-like brogue, hair coif, handsome eye twinkle and a snazzy car. We meet him early in the film rocking out at a DJ club in […[...]
Review: Conclave
— by BEV QUESTAD — The throne of the Holy See is vacant and beside the deathbed is a chess game in progress. “Conclave” has sweeping vistas of art, painstaking replicas of intricately embroidered Cardinal costumes, and one of the best all-time endings in the history of cinema. It is [...]
Review: Nosferatu
— by WILLIAM STERR — Some lovers aren’t satisfied unless they can completely possess you. So it is with Ellen Hutter and her count. Thomas Hutter (Nicholas Hoult) is an up-and-coming employee at Herr Knock’s (Simon McBurney) real estate brokerage. He is given the charge of delivering[...]
Review: Arcadian
— by WILLIAM STERR — “Arcadian” gives a new twist to living “down on the farm.” The word means an ideal rural paradise, but the home set up by Paul (Nicholas Cage – “Longlegs”) and his teenage sons, Joseph (Jaeden Martell – “Mr. Harrigan’s Phone”) and Thomas[...]
Review: Saturday Night
— by WILLIAM STERR — Jason Reitman (“Ghostbusters: Afterlife”) has used his “Wayback Machine” to take us back to a seminal point in television entertainment – the point at which a form of popular entertainment that was rooted in vaudeville, the stage, and accepted mores of beha[...]
Review: The Piano Lesson
— by WILLIAM STERR — August Wilson. It’s a name that is synonymous with the experiences and heritage of the African-American community in the 20th century. His cycle of 10 plays from “Gem of the Ocean” to “Radio Golf” covers the Black experience in Pittsburgh through the 10 dec[...]
Review: A Real Pain
— by WILLIAM STERR — The Odd Couple visits Poland. Cousins David (Jesse Eisenberg – “The Social Network) and Benji Kaplan (Kieran Culkin – “No Sudden Move”) have signed up for a tour of Jewish heritage locations in Poland, using money left for that purpose by their belo[...]