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Archive for the ‘Reviews’ Category

Review: Navalny

— by BEV QUESTAD — Early on in this remarkable Oscar-nominated documentary, Alexei Navalny is asked, “If you are killed, what message do you leave for the Russian people?” Navalny is the handsome 41-year-old lawyer who campaigned against business and government corruption in Russia. [...]

Review: Enys Men

— by WILLIAM STERR — A woman (Mary Woodvine – “Bait”) wearing a red windbreaker makes her way across blustery hills of heather and sedge, then down to the edge of a cliff where six strange flowers grow. These are rare plants on this Cornish island and her job is to measure the temp[...]

Review: The Blackout

— by WILLIAM STERR — Movies take a long time to develop, film, edit and finally release. So it is unlikely that this 2019 Russian film anticipated the disastrous conflict between Russia, Ukraine, and NATO. However, it did get the disaster part right. It is nighttime in Moscow. Not today[...]

Review: Till

— by WILLIAM STERR — Most adult in America are aware of the story of Emmett Till. He was a young Black American from Chicago who traveled to Mississippi in 1955 to visit relatives. There, he ran afoul of southern sentiments and was brutally murdered by a gang of white men. They believed [...]

Review: Motherland

— by BEV QUESTAD — What genocide began on Sept. 27, 2020? I posed that question to a social justice group who tracks this kind of thing. One person was sure of the answer, correctly, but the other 12 disagreed, asserting his answer couldn’t be true because they hadn’t heard of it. Az[...]

Review: Good Night Oppy

— by BEV QUESTAD — “Good Night Oppy” is a surprisingly-entertaining film about exploration on Mars and the hunt for water. It won the 2022 Critics’ Choice Documentary Awards for best director, best science/nature documentary, best narration, best score, and best overall doc[...]

Review: Maybe I Do

— by BEV QUESTAD — Oh boy! Right after fed-up Howard (Richard Gere) breaks up with his man-eating, sex-starved lover, Monica (Susan Sarandon), she threatens revenge. And right after shy Grace (Diane Keaton) attempts a hotel encounter with demoralized Sam (William Macy), she has regrets. [...]

Review: The Ghosts of Monday

— by WILLIAM STERR — “Oh my ******* God.” The above is the best line from the movie “The Ghosts of Monday”, and it pretty well sums up this 78 minutes of nonsense. Actually filmed on the island of Cyprus, which has it’s own sordid past, this poorly conceived, written, directed,[...]

Review: When You Finish Saving the World

— by WILLIAM STERR — Disfunctional families. We all know one, maybe even live in one. They are certainly the fodder for endless films whether they be gritty noir flicks, lost in the complexity of modern day society films or gay holiday affairs, we’ve all seen them and watched, fascinat[...]

Review: 18 ½

— by WILLIAM STERR — Those of you old enough to remember, or inquisitive enough to care, will know about the notorious 18 and ½ minute gap in the Nixon Watergate tapes that were ascribed to a mistaken erasure by Nixon’s longtime secretary, Rosemary Woods. But what if another copy of t[...]

Review: Matter Out of Place

— by WILLIAM STERR — “Matter out of place” refers to any object or impact not native to the immediate environment. So begins this film about the production of societal waste, its collection and disposal, all within the environment we depend upon to sustain us. Prepare yourself for sc[...]

Review: Wildcat

— by BEV QUESTAD — Harry Turner looks at his ocelot protege and kindly says, “We’re wild animals, me and you. We’re wild.” Though earning many awards and millions of dollars from Amazon, there has been controversy from critics over “Wildcat.” Perhaps some of the rougher comme[...]

Review: Loving Adults

— by WILLIAM STERR — According to this Danish film, loving can be dangerous to the health of adults. If the example they give is typical, it can be down right fatal. Christian (Dar Salim – “Darkland”) has been married to Leonora (Sonja Richter – “Exit Plan”) for years. They h[...]

Review: Back to the Wharf

— by WILLIAM STERR — Films for the People’s Republic of China (mainland China) have been making their way into international venues more and more recently. But that doesn’t mean they’ve been successful in selling tickets. The Chinese government and private companies have been pouri[...]