— by RON WILKINSON — The opening scenes of the concubine-like quarters of the 15 or so women under the control of Shepherd tell the whole story. Do not try to impose any kind of literal, rational interpretation on this movie. The message is allegorical, at best. At worst, it is exploitat[...]
Author Archive
Review: Vitalina Varela
— by RON WILKINSON — Now and then, rarely, a film appears that takes full advantage of the medium. This movie does that to such a degree that the complete lack of narrative dialog goes unnoticed. There is so much happening on the screen that the ear takes second place and the eyes are fa[...]
Review: Human Capital
— by RON WILKINSON — Uncorking a big one, emerging director Marc Meyers spins a dynamic web of stories and viewpoints. The performances are there, with the chemistry between Liev Schreiber, Marisa Tomei and Peter Sarsgaard steaming off the screen. Even so, the viewer has to pay close att[...]
Review: Bull
— by RON WILKINSON — Using the rodeo as a metaphor for life is not new. Champions of all stripes are ripe for tragic treatment, those that fly too high, too, fast, and lose track of what is important. Some emerge triumphant, with the latter acts held for a different time and place, a dif[...]
Review: Disappearance at Clifton Hill
— by RON WILKINSON — The child leaves her family and walks alone through the dark forest. This alone is cause for tension, even without the one-eyed boy. Bloody bandage over one eye, the kid is doing all right for himself, crouching to avoid the luxury car on the road above, conveying he[...]
Review: The Traitor
— by RON WILKINSON — One person’s savior is another person’s traitor. An old school Cosa Nostra lieutenant turns on the family in this narrative fiction remake of the true story of the first mafia informant in Sicily in the 1980s. As the film tells it, Buscetta described himself as a[...]
Review: The Banker
— by RON WILKINSON — Many kids consider going into investment banking. The hours are not bad, working conditions are safe and, unless you are a black person in 1939 Willis, Texas, there is little chance you will be hanged for it. Such were Bernard Garrett’s father’s words to the prod[...]
Review: Sorry We Missed You
— by RON WILKINSON — Ken Loach nukes the system milking those caught between the bytes of the gig economy. Wound around his scanner as surely as Charlie Chaplin was between his “Modern Times” gears, Ricky Turner (Kris Hitchen) cannot catch a break. Everything that could go wrong goes[...]
Review: Camp Cold Brook
— by RON WILKINSON — “Haunt Squad” TV reality show host Jack Wilson is in a tough spot. Like many horror show heroes, he is faced with losing his money, his house, his family, his dog and his TV show if he fails to make a big score. He needs a hit and he needs […][...]
Review: Les Miserables
— by RON WILKINSON — This heavily updated version of Victor Hugo’s classic adds timely touches of tragedy. Set in today’s Montfermeil suburb of Paris, the social estate called “les Bosquets” is home to multinationals starting a new life in France. North African, Middle Ea[...]
Review: Come As You Are
— by RON WILKINSON — Richard Wong’s feel good breakout movie turns the road trip on its head. Three disabled men team up with a traveling nurse to escape their parents and find America. Rather, they want to escape America and find Canada, specifically a brothel specializing in those wi[...]
Review: Beanpole
— by RON WILKINSON — Kicking off the year with a powerhouse of an essay on the horrors of war, director Kantemir Balagov weaves together stories of the Siege of Leningrad. As one might expect, all three are bad, ending in the briefest ray of light. Some survive and some do not. As in all[...]
Review: Portrait of a Lady on Fire
— by RON WILKINSON — An artist hired to paint a portrait of a bride-to-be discovers that the subject refuses to pose. She is not just camera shy, or easel shy, she is fundamentally opposed to the idea of being painted. The French had their attitudes, even in 1790. As it turns out, there [...]