— by BEV QUESTAD — “We are all just visitors here to this time, this place. We are just passing through. Our purpose here is to observe, to grow, to love – and then we go home.” ~ Aboriginal Proverb Challenged by industrialization, environmental toxicity, drugs, alcohol and social [...]
Archive for the ‘Reviews’ Category
Review: Kooky (aka Kuky se vrací)
— by BEV QUESTAD — “We’ve all lost something. A person, a thing which meant the world to us, perhaps a place that no longer exists, or a time that’s passed — but what if we could have it back?” These are the words that begin this adorable little film about a[...]
Review: One Mile Above (aka Kora)
— by BEV QUESTAD — Who in the world would want to bike 1,200 miles up into the world’s highest elevations where icy roads give no mercy to little bikes with no snow tires? The scariest moments are the free-fall downhill coasts when there is so little control. A rock, an ice slick, anot[...]
Review: Fifi Howls from Happiness
— by BEV QUESTAD — Born in 1931 in Iran, Bahman Mohassess studied in and later permanently relocated to Rome. He says, “In this slim, vast uterus known as Rome I began to work and to live. A city whose population squirms in an eternal coitus, whose alleys are stained with the sperm of [...]
Review: Honeymoon (aka Líbánky)
— by BEV QUESTAD — This beautiful Czech film begins with gentle, romantic music, a wedding and a short car caravan through a pastoral Czechoslovakian countryside to a small reception at the family farm. A beautiful bride is in the arms of a self-confident, dashing, amorous groom. The onl[...]
Review: Rage
— by RON WILKINSON — Nicolas Cage plays ex-mobster Paul Maguire in this Cage vehicle for the free and thorough expression of one thing that Cage does well: rage. And there is plenty to rage about in this flick when perky daughter Caitlin is kidnapped and found dead. Maguire reunites with[...]
Review: Heatstroke
— by RON WILKINSON — Evelyn Purcell’s thriller, set in the African desert, combines wild animal mystique with a decidedly feministic point of view. Tally (Svetlana Metkina) and Josie (Maisie Williams) become stranded in the desert and must face the duel threats of dehydration and psych[...]
Review: The Hornet’s Nest
— by RON WILKINSON — It is hard to say where this film fatally diverges from what appears to be its inspiration, “Restrepo,” but it might be that the narration is the first cut. The movie is a documentary of two US military teams pushing into one of Afghanistan’s most hostile valle[...]
Review: Two Raging Grannies
— by BEV QUESTAD — Shirley Morrison, now 92 years old, has a history of speaking her mind, asking the important questions and being jailed over 12 times. Hinda Kipnis, age 85 (b. 1929), is known for her protest parodies and contrarian New York-bred point of view. A glorious Norwegian, H[...]
Review: The Rover
— by RON WILKINSON — David Michôd ups the ante and hauls in a big one in this Aussie thriller set in the desolate outback 10 years after the collapse. The collapse? The comedians in the audience will point out that the outback 10 years after the collapse looks about the same as it did [[...]
Review: Ida
— by BEV QUESTAD — Mother Superior calls Ida to her office. Ida is informed that she must visit her mother’s sister before she takes her final vows. Ida didn’t know she had any relatives, much less an aunt. Ida had been left with a priest who had placed her as an infant at th[...]
Review: The Internet’s Own Boy
— by RON WILKINSON — Screened at the 40th Seattle International Film Festival, Brian Knappenberger’s biopic of Internet pioneer Aaron Swartz is as much a cautionary tale about the new web-based world as it is a story of one of its brightest stars. Swartz was a brilliant child who grew [...]
Review: Rigor Mortis
— by RON WILKINSON — Screened at the 40th Seattle International Film Festival, “Rigor Mortis” was a welcome change from the everyday. It seemed as if all of the good, old fashioned, action / horror flicks were being canceled at the last minute and substituted with religious dogma or [...]
Review: Coherence
— by RON WILKINSON — James Ward Byrkit’s sci-fi thriller “Coherence” starts as an updated comedy of manners like Luis Buñuel’s “The Discreet Charm of the Bourgeoisie” and ends like something from Alfred Hitchcock. In the background we are waiting for Rod Serling’s [...]